Peach Clobbered
Nina Fleet’s life ought to be as sweet as a Georgia peach. Awarded a tidy sum in her divorce, Nina retired at 41 to a historic Queen Anne house in quaint Cymbeline, GA. But Nina’s barely settled into her new B&B-to-be when a penguin shows up on her porch. Or, at least, a man wearing a penguin suit.
Harry Westcott is making ends meet as an ice cream shop’s mascot and has a letter from his great-aunt, pledging to leave him the house. Too bad that’s not what her will says. Meanwhile, the Sisters of Perpetual Poverty have lost their lease. Real estate developer Gregory Bainbridge intends to turn the convent into a golfing community, so Cymbeline’s mayor persuades Nina to take in the elderly nuns. And then Nina finds the “penguin” again, this time lying in an alley with a kitchen knife in his chest.
A peek under the beak tells Nina it’s not Harry inside the costume, but Bainbridge. What was he doing in Harry’s penguin suit? Was the developer really the intended victim, or did the culprit mean to kill Harry? Whoever is out to stop Harry from contesting the sale of his great-aunt’s house may also be after Nina, so she teams up with him to cage the killer before someone clips her wings in Peach Clobbered, Anna Gerard’s charming first Georgia B&B mystery.
Guest Post: Dropping Like the Gentle Rain…
Where do you get your ideas? It’s a question we authors are asked a lot, and one that we seemingly can never satisfactorily answer. I read somewhere once that a famous bestselling writer would tell gullible sorts that he subscribed to Writing Ideas of the Month magazine. He claimed that he’d thumb through each new issue when it hit his mailbox, choose an idea, and write his next blockbuster.
Of course, he was kidding. But the truth is that the idea part of writing actually is easy, which is why we often give a frivolous response to that question. We all have ideas, writers and non-writers, alike. They’re a dime a dozen, to use the cliché, and we have far more than we’ll ever need. Not sure how to generate an idea? All it takes is two simple words – What if?
What if the old woman at the coffee shop nervously cradling a latte was once a prima ballerina?
What if the convicted murderer I read about in the morning paper actually was framed?
What if the smelly, unshaven guy prowling the thrift store aisles is actually an undercover cop?
What if the new house I bought was built on an old cemetery?
Ideas come from everywhere and anywhere. Newspapers, television, books,
radio. And, of course, from simply observing. Most writers have far more ideas than they can ever hope to use. As Shakespeare might say, they droppeth as the gentle rain from heaven. And, at least in my case, that’s not far from the truth. I tell people I get my best ideas in the shower and, silly as it may sound, I mean it.
There’s something zen-like about standing under splashing water, almost like
being in a isolation chamber. Outside sounds are temporarily muffled, and as a result one’s mind starts casting about for thoughts to fill the void. Soon enough, ideas start filtering through the pounding water.
Which is one reason I’m planning on having one of those oversized rain shower heads installed in my bath sometime soon. Who knows, maybe I can even write it off as a business expense!
But often non-writers don’t realize that an idea, no matter how grand, isn’t a plot. And without a plot, you don’t have a book. Because the plot is the underlying structure of a story. It’s how you get from the beginning to the end of the tale in an interesting yet logical and satisfying way.
To put that concept into real-life context, you may wake up
one morning with the “idea” that you want to drive from New York City to Dallas. But simply having the idea isn’t magically going to transport you from Point A to Point B. You need to “plot” your journey. Will you go the scenic route that takes a couple of extra days, or will you travel via the fastest highways and toll roads? Are you going to stop at four-star hotels, or are you going to catch a few winks in roadside parks? Only once you’ve made all these decisions can you begin your trip.
In much the same way, an author has to line out their book journey before they can begin writing. And depending on one’s writing style, that can take quite a bit of planning. Some authors I know spend months researching and outlining before they ever type the words, Chapter One. On the other hand, many writers plunge right into the story, working off nothing more than a mental outline and a few scribbled notes. Most writers probably fall somewhere in between those two extremes.
But no matter their process, they all have moved well beyond the “idea” stage when they begin typing.
So instead of asking an author, where do you get your ideas, next time consider asking, how do you construct a plot? You might find yourself hearing a much more interesting answer
About the Author
DIANE A.S. STUCKART is the New York Times bestselling author of the Black Cat Bookshop Mystery series (writing as Ali Brandon). She’s also the author of the award-winning Leonardo da Vinci historical mysteries, as well as several historical romances and numerous mystery, fantasy, and romance short stories. The first book in her Tarot Cats Mystery series is FOOL’S MOON, available in trade, large print, and Kindle versions. Her Georgia B&B Mystery series from Crooked Lane Books launched July 2019 with PEACH CLOBBERED, written as Anna Gerard.
Diane is a member of Mystery Writers of America and has served as the 2018 and 2019 Chapter President of the MWA Florida chapter. In addition to her mystery writing affiliations, she’s a member of the Cat Writers’ Association and belongs to the Palm Beach County Beekeepers Association. She’s a native Texan with a degree in Journalism from the University of Oklahoma, but has been living in the West Palm Beach FL area since 2006. She shares her “almost in the Everglades” home with her husband, dogs, cats, and a few beehives. Learn more about her books at www.dianestuckart.com.
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